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The Atkinson
Ticket Booking: 01704 533 333

Natural High

Date:  Saturday 19 June 2021  - Saturday 19 March 2022


Our Museum & Galleries are closed until further notice. All shutdown details are listed here. View our online exhibitions here.


Reconnect with nature in this contemplative exhibition of British landscape scenery from The Atkinson’s fine art collection. Take a meditative and relaxing journey through mountains, lakes and seashore as we follow in the footsteps of artists from the early 19th century to the present day.

Perhaps one of the few silver linings of lockdown and the restrictions on foreign travel has been a renewal of interest in our own natural heritage. In the early 1800s there was a similar sense of looking inwards to discover domestic landscapes that had been overlooked. Artists and travellers kept at home by the Napoleonic Wars turned instead to the wild places of Britain for inspiration: the mountains of Wales, the beauty of the Lake District and the lochs and hills of Scotland.

Our exhibition opens with an extensive view across the Lake District. In Thomas Sidney Cooper’s ‘A Halt on the Fells, Cumberland’ (1838), a family of resting Scottish drovers and their cattle are framed against a vast expanse of sky and mountain stretching off into the distance.

A Halt on the Fells, Cumberland by Thomas Sidney Cooper (1803-1902). Atkinson Art Gallery Collection.

Mountain scenery offers us the opportunity to make a complete break with our everyday lives, whether we are looking for an invigorating hike or a more contemplative experience of nature at its most sublime. It’s interesting to compare two very different responses of artists to upland scenery. Alfred de Breanski, in ‘Morning Mist, Kilchurn’ is a typical Victorian Romantic who softens the edges of the rugged Scottish landscape and uses subtle tonality to convey its beauty.  In contrast, a late 20th century realist like Kyffin Williams recreates the harsh angularity of ‘Tryfan, 2’ in all its stark beauty to give us a much more tactile sense of being in the landscape.

Morning Mist, Kilchurn by Alfred de Breanski (1852–1928). Atkinson Art Gallery Collection.
Tryfan No. 2 by Kyffin Williams (1918–2006). Atkinson Art Gallery Collection.

In these paintings we see the landscape through the artists’ eyes. Throughout the exhibition we explore different ways of seeing and suggest a range of simple meditative exercises that take images of mountains, lakes, countryside and shore as a starting point to reimagine our relationship with both art and nature.


Inspirations: Poetry & Creative Writing Competition

Competition deadline: 2 May 2021
Online exhibition: 8 May 2021 – 19 March 2022
Winner announced: 22 May 2021

The Atkinson, in partnership with The Arts Society Southport, would like to invite anyone with links to the Sefton Borough to take part in a new Poetry and Creative Writing Competition.

Responding to artworks featured in our upcoming summer exhibition, Natural High, you are invited to submit one entry with a maximum of 1000 words. The competition is for any form of creative writing including poetry, stories, song lyrics, essays, letters, blogs, zines, etc.

Find out more here


 

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    Showing now

    • •  Fatal Attraction: Lilith and her Sisters
    • •  Heywood & Condie: This Land
    • •  The Landing: Hutton Art Society
    • •  Rui Matsunaga

    Coming soon

    • •  Sefton Open 2021
    • •  Natural High
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